Debating Walzer on Religious Revivalism
Boston Review
It is the festival's Documentary Programme that offers the most bang for the buck. Citizen Jane: Battle for the City, about urban activist Jane Jacobs who saved New York neighborhoods in the 60s; it’s been awhile since we’ve seen a film about the revered muckraker, but All Governments Lie: Truth, Deception, and the Spirit of I.F. Stone will once again raise the issue of truth in the media; the Canadian doc Black Code exposes how governments use the Internet to spy.
Contrary to a too-commonly held assumption, book author Anne Trubeck argues that while writing by hand will likely become less practiced, it will not disappear, but evolve, as she insists its variegated world history amply shows. Just one possible precedent: the metamorphosis of letterpress printing into an artisanal form.
This book, which won the American Book Award last month, aims to reorient our thinking about slavery, by focusing on "slave-breeding," a practice that helped ensure the institution's survival after the Constitutional ban on the transatlantic trade went into effect in 1808. In this review, Malcolm Harris discusses the implications of the practice, by outlining just how central slavery was to the production of U.S. wealth.
Moonlight is a profoundly moving film about growing up as a gay man in disguise, a difficult and damaging journey that’s realised with staggering care and delicacy and one that will resonate with anyone who has had to do the same. We’re starved of these narratives and Jenkins’ electrifying drama showcases why they are so hugely important, providing a rarely seen portrait of what it really means to be a black gay man in America today. It’s a stunning achievement.
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