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Anthony Bourdain Was the Best White Man

Malika Rao New York Magazine
Bourdain engaged without fetishizing, touristed with ease, in the way of a person who’s been toggling between identities so long, the act of meeting a stranger from a strange land is the only familiar feeling.

tv

The Many Layers of Atlanta’s ‘Teddy Perkins’

Matt Zoller Seitz New York Magazine
Packing in as much raw emotion and as many twists and turns as a feature-length thriller, “Teddy Perkins” is a gothic funhouse of an Atlanta episode, filled with warped mirrors reflecting different aspects of American and African-American experience.

books

Race and the Logic of Capital

Alan Wald Solidarity
Shortly before his death, James Baldwin wrote that in the U.S., “White is a metaphor for power,” an observation that is deep background for much of the discussion in the masterly book under review, where race and class are intertwined, yet surface differences are used to split the labor force and maintain capital’s hegemony. The book can usefully inform debate on race and class and aid in reconstructing a revolutionary project in the context of Trumpworld.
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