Portside

Propping up dictators, rigging elections and aligning with some of the world's more unsavory characters is an accurate description of U.S. foreign policy past and present. It's also a fair characterization of the narrow gamut of thinking for both the wise oracles who urge containment and the hawks promoting armed confrontation. The book focuses on these elite policy makers who have become not just complacent with, but complicit in, U.S. hegemonic crimes worldwide.

The new Poet Laureate of the United States, Juan Felipe Herrera, was the child of migrant workers. His poetry sparkles with a luminous, richly inventive language and a technical prowess that draws from both traditional and innovative poetics. He is the first Latino to become the country's Poet Laureate, and is the most recent Poet Laureate of California. Here is a review of his New and Selected Poems (2008), and some useful links.

In defining a clear and comprehensive anti-capitalist politics and offering rational and compelling reasons for operating as anti-capitalists, highly readable Marxian scholar David Harvey goes beyond listing contradictions of capital to engage in a systematic account of the web of 17 relationships for what are usually treated as isolated aspects of crisis. Many of the contradictions are manageable, but some in combination also contain the seeds of systemic catastrophe.

Editors Clifton Ross and Marcy Rein offer a host of interviews with today's social change activists from Latin America. Staughton Lynd offers a review of this kaleidoscopic survey.

With its numerous religious awakenings and repeated instances of religiosity as political theater, it's easy to forget US civic life is secular. Author Kevin Kruse argues that the effort to ground political rights in spiritual authority and not in democratic discussion and decision-making originated with a coterie of corporate heads, right-wing politicians, reactionary pastors and cultural icons as a bulwark against progressive politics and New Deal legislation.

Scholars are producing increasingly detailed accounts of how the U.S. government utilized artists and culture in the Cold War anti-Communist crusade. According to former diplomat John H. Brown, this new study, by Greg Barnhisel, shows that an important factor in making modernism work for U.S. Cold War interests involved "defanging modernism of its radicalism and turning it into an international vehicle for whitebread all-American convictions."

The compendious catalogue of a recent exhibit offers representations of art as practiced by numerous Plains tribes from first encounter with Europeans to their near decimation not only from military conquest and rough frontier justice but from European-spawned disease. Much of the work is likened to that of Italian painters of religious scenes during the Renaissance, which might be defined as the depiction of social life sustained by a sacred sacrifice of blood.

The history of public housing in the United States can be read, in part, as a history of the modern impoverishment of racial minorities, in particular, of the African American population. As reviewer Rhonda Y. Williams notes, Edward G. Goetz has written a "multi-layered analysis of housing policy and redevelopment," in a book that "explicitly examines black removal from urban spaces and the perpetuation of racialized poverty."

Marx called it "the dictatorship of the proletariat" and its militants those who "stormed heaven." For 76 days in 1871, this first experiment in workers self-government and armed defense against troops of the old order also made costly mistakes leading to its slaughter. The author chronicles not only Commune governance and the role of women as leaders and fighters, but the intricacies of a counter-revolution that sought nothing less than crushing Paris' working class.

First-time author Leila Abdelrazaq has produced a work that, in the words of reviewer Beenish Ahmed, "provides a human face to the often overlooked experiences of refugees." Rendered in the form of a graphic novel, it is a unique visual and literary testament, and a special glimpse into the world of those who have been displace by conflict from their homes and from their familiar worlds.