Portside

The beautiful souls that created free jazz — including Ornette Coleman, Cecil Taylor, Don Cherry and Carla Bley — light up this new documentary from Tom Surgal.

CODA is a big-hearted crowdpleaser about a teen, her dreams, and her family.

The latest film adaptation of Dune, Frank Herbert’s cult sci-fi novel series, is out next month. With its often-reactionary mix of political cynicism, ecological catastrophism, and lurid orientalism, it remains oddly attractive to left-wing audiences

In director and cowriter Nia DaCosta’s new Candyman, the body count mostly includes those who repeat the practices of systemic cruelty and racism that led to his lynching and other hateful deaths.

After wowing in Watchmen, the Emmy-winning actor is starring in a reboot of the timely 90s horror. ‘I want to inspire others to be magical,’ he says

Central to "Cousins" is the struggle of the Maoris to retain ownership of their age-old lands in the face of settler colonialism dating back to the British invasion of Aotearoa/New Zealand by 1840.

Among this month's offerings on Netflix: several feature debuts, including Spike Lee's "She's Gotta Have It" and Ryan Coogler's "Fruitvale Station, Mati Diop’s "Atlantics,” and Numa Perrier’s “Jezebel.”

Cinephiles and streaming fans can both claim victory. But as we better understand the new screen culture taking shape, it looks like we may all lose in the long run.

According to a 2018 study by the Annenberg Inclusion Initiative that looked at the gender, race, and ethnicity of critics reviewing top domestic films, 82% were white, and nearly 78% were male. Nearly 90% of those condidered "top critics" were white.

The movie’s got Sly and the Family Stone and B.B. King and Ray Barretto and Gladys Knight & the Pips, in top, electric form. But no jolt compares to what happens in the middle of this thing— footage from the Harlem Cultural Festival.