Portside

SundanceTV’s Southern Gothic drama is entering its third season of critical acclaim and low ratings, but its against-the-odds existence bodes well for the industry.

Ross Poldark was, then, one of literature’s classic figures on the fringe, a man of noble birth who identifies with the people rather than with his own class. Reflecting the character of Graham’s novels, the television series has Poldark lead the people’s struggle against monopoly capitalism, depicting miners’ strikes and bread riots as instances of righteous resistance against a corrupt establishment.

AMC’s new show goes beyond the obvious questions about what happens when robots can think like people.

USA Network's new cyber-thriller 'Mr. Robot' with Christian Slater takes on wealth disparity, social justice

Eight strangers around the globe are psychically linked after experiencing violent visions involving a woman (Daryl Hannah) unknown to any of them. The eight characters are about as diverse as you can get in terms of location, culture, race, economic situation, sexual orientation and occupation. As Lana Wachowski put it in an interview with io9 earlier this year, the show is "trying to get at the human question of how are we the same, and how are we different.

In its second season, Halt tells the story of two women laboring to bring a new, better technology to consumers with an assist from a houseful of gamers. Lean In, Gamergate, and the ongoing under-representation of women in tech hang heavy over the episodes.

Anchored by powerful performances from Oscar nominees Taraji P. Henson and Terrence Howard, Empire features unapologetically black characters operating in a mostly black world. Nielsen says 7.5 million of them are African-American.But that's where the other controversy about Empire emerges. Because some critics say the show has earned its success by trafficking in "badly written dialogue and ham-fisted stereotypes."

Pleas from Simon, Andre Royo and Wendell Pierce, among others, are an acknowledgement of the real-world authority we’ve granted to “The Wire,” one of the most venerated shows ever to air on American television.

“Daredevil,” adapted from the long-running Marvel comics franchise, is a superhero show about the evils of gentrification—a politically engaged work which is energized by debates about urban inequality. These debates are salient not only in the era of Mayor Bill de Blasio but also have roots deep in the city’s history.

Throughout pop-culture history, clones and robots have served similar purposes, exploring anxieties about class and labor.