Portside

A tyrannous Dutch governor proves no match for an unlikely group of insurgents in the slick, stylised Southeast Asian take on a traditional US western

Gentleman Jack depicts a bold, groundbreaking 19th-century lesbian. But its palatable tone falsely suggests that few obstacles were in her way.

Spies, politics and murder in Channel 4’s poised new 1945-set espionage thriller.

As with many epic fantasies, the show’s heroes are framed as liberators and defenders of the common people—despite holding absolute power.

At its best, crime drama does not simply try to terrify us with pure unblinking evil but gives us studies of dysfunctional human beings mangled by capitalism, argues Sofie Mason

Veep has, always, been chock-full of other apparent sociopaths—which is what makes the show’s resemblance to America’s actual political reality so troubling.

With San Francisco, The OA has a locale that embodies all the fractures of the current moment: the dichotomy between rich and poor, the ongoing disruptions in the way people experience reality.

In a new docuseries, the case at the centre of the phenomenally popular podcast is brought back into the light with sensitivity and insight

Another update to the standard thriller formula is Secret City’s unabashedly feminist bent. Starting with gender-flipping Uhlmann and Lewis’ protagonist, Secret City’s writers made all of the story’s biggest power players women.

The casting of Mahershala Ali provided an opportunity for the HBO show to explore new themes it its third season, but in the end it all felt a little vague and perfunctory