Portside

John Carpenter’s movies provide visions of societies falling apart. No wonder his work is resonating now more than ever.

Ellen DeGeneres’s reputation as the kindest celebrity in America has finally been shattered. But it’s not just her “mean streak” that’s the problem — it’s that she’s an exploitative boss, who cheated her employees at the height of the pandemic.

Movies about class and inequality have made it into the global mainstream recently and are picking up major prizes. The genre-busting, edge-of-your-seat Brazilian film Bacurau is the latest. You've gotta see it.

The Great shares a broadly similar style and subject with The Favorite, though it is neither as dark nor as committed to factual accuracy. The series shows the grotesque royal court life of Empress Catherine II of Russia, aka Catherine the Great.

Filmmaker Bong Joon-ho on his film Parasite: " I tried to express a sentiment specific to Korean culture, [but] all the responses from different audiences were pretty much the same. Essentially, we all live in the same country, called Capitalism."

With its starchy girl-power message and Meryl Streepish prestige, Little Women is bound to be a hot contender for critics’ awards, Oscars, and Golden Globes. But don’t be fooled: it’s a bad movie.

Despite generations of imperial murder, torture, rape, and plunder, the British ruling class still gets brown-nose treatment in historical depictions. Not so in The Favourite where they are shown as the disgusting creatures they were and still are.

One explanation of why do many celebrities are Scientologists is hidden in plain sight: The way the cult mirrors the star-obsessed, profit-driven culture of Hollywood. "Going Clear" also posits the rest of the answer: Stars stick with Scientology because of the meticulously kept notes, recordings and videos from E-meter "auditing" sessions that are central to the religion's practice, and make for ideal blackmail material.