After all, the New Jersey-based poet Nicholas Gordon writes, Washington and Wall Street move up and down on one principle--why be surprised? what did you expect?—Greed!
Sun Tsu said “Know your enemy and know yourself and you will always be victorious." Following that wisdom, Portside is running this otherwise execrable interview with Niall Ferguson, a leading myrmidon of the white shoe Right, trumpeting his retrograde views on—among other things— reactionary icons Edmund Burke and Charles Murray, along with snarky comments on unnamed post-colonial critics who he doubts—with no justification—never read his work.
The redemption of a racist cop in the awards season favorite will surely tug at the heartstrings of industry voters. But it’s unearned, manipulative and altogether offensive.
Georgia Gilmore was a Montgomery cook, whose fried chicken sandwiches and other foods fed the African-American men and women planning the bus boycott; the money raised helped pay for the alternative transportation system during the 381-day bus boycott.
Most white voters voted for Trump, but not even most working-class white voters voted for him. If Roseanne and Dan Conner voted for Trump, it is not because they are working-class.
Shortly before his death, James Baldwin wrote that in the U.S., “White is a metaphor for power,” an observation that is deep background for much of the discussion in the masterly book under review, where race and class are intertwined, yet surface differences are used to split the labor force and maintain capital’s hegemony. The book can usefully inform debate on race and class and aid in reconstructing a revolutionary project in the context of Trumpworld.
Wideman's mixed-genre work examines the lives and legacies of the young Till, his father, Louis Till, and what they can tell us about racism and about families.
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