Portside

Kunta Kinte and his family’s struggle to survive is rendered in a sleeker, visually gripping package without diluting the historical vestiges that endure in America.

The exiled Persian poet Majid Naficy draws on Christian parable (the Book of Matthew), suggesting that some of the irate voices on our streets are not enemies but prophets.

In David Looseley's take on the iconic French chanteuse Edith Piaf, her notoriously elusive life story is rendered as cultural history, drawing out what Piaf meant - and still means - to France and to her wider audience. Looseley notes that her musical persona was highly and brilliantly constructed. She projected a stage mask of suffering that was all the more affecting because the audience saw there was deprivation behind it. With Piaf, you underwent her.

This new book reconsiders the social and political impact of the energy crisis of the mid 1970s.

Kaili Blues, an eccentric, remarkably assured first feature by the young Chinese director Bi Gan, is both the most elusive and the most memorable new movie that I’ve seen in quite some time—“elusive” and “memorable” being central to Bi’s ambitions. - J. Hoberman

In the two years since Colorado legalised cannabis, chefs in the state have been finding new ways to make a meal of it.

Robert Schenkkan’s Tony award winning All the Way portrays Lyndon Baines Johnson in his finest hour, and its multi-media staging on Broadway was already cinematic in nature. HBO’s TV adaptation — directed by Jay Roach in collaboration with Schenkkan’s screenplay and airing Saturday — has upped the ante, giving us a leaner, less unwieldy and more intimate rendering.

What's funny about drones? Nothing. The poet Jennifer L. Knox has a sense of humor. Also a sense of outrage. Seldom do these traits go so well together as in her poetry.

Mayer charts the domestic far-right effort to remake the political system through foundations, think tanks, university institutes, paid political commentators and huge campaign contributions by heirs to energy giant Koch Industries. One strategist admitted, "We want to decrease regulations. Why? It's because we can make more profit, okay?" Yet selling that line is hard. So they pose that ameliorative legislation denies the "opportunity for earned success" to the poor.

In Banking on Words, Arjun Appadurai argues that the 2008 financial crisis was, in essence, a failure of language. Narendar Pani finds that argument somewhat overstated, while at the same time acknowledging this book's "path-breaking" analysis of the role language has come to play in the way markets behave and are managed.