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How To Think Freely

Jennifer Wilson The New Republic
In their encounters with Western art, Soviet audiences found ways to reimagine themselves.

Once Upon a Time in Tarantino’s Hollywood

J. Hoberman The New York Review of Books
Tarantino succeeds in superimposing two meta-narratives: the end of the Western and the self-destruction of the counterculture. Both stories are symptomatic of the war in Vietnam, though here Vietnam is little more than background.