Portside

'Indian Point' directed by Ivy Meeropol takes an unblinking look at the dramatic debate over nuclear power by going inside the aging plant that looms just 35 miles from New York City. With over 50 million people living in close proximity to the facility, it has stoked a great deal of controversy in the surrounding community, including a vocal anti-nuclear contingent concerned that the kind of disaster that happened at Japan's Fukushima nuclear plant could happen here,

British Film Institute-Flare: London LGBT Film Festival is 30. Over 100 programmers, critics and filmmakers voted for the 30 greatest LGBT films of all time.

Ken Loach just became the first British director to win the Palme d’Or at Cannes twice, when his welfare state polemic I, Daniel Blake picked up the prize. The 79-year-old film-maker had previously announced he was finished with directing but became so infuriated by the plight of the poor under the current Conservative government that he came out of retirement to make a new film, addressing the human cost of their policies. ‘Hunger is being used as a weapon.'

It begins with a short sequence in Sri Lanka: the civil war is over, the Liberation Tigers are burning their dead comrades’ bodies and swapping fatigues for civilian clothes to try and melt into the general population. In a refugee camp, a young woman is looking for unaccompanied children to be part of a hastily thrown together fake family, to help one such fighter get clear of the battle zone and into Europe.

Kaili Blues, an eccentric, remarkably assured first feature by the young Chinese director Bi Gan, is both the most elusive and the most memorable new movie that I’ve seen in quite some time—“elusive” and “memorable” being central to Bi’s ambitions. - J. Hoberman

When arriving at a film festival like Tribeca, it’s pretty much a crap shoot when you scour the large catalog and read the brief descriptions of the films. Among the many choices, there were at least three narratives that passed the test and went on to win awards from the jury and the audience.

In his praise of Julie Dash's “Daughters of the Dust” during its initial theatrical release in 1992 critic Stephen Holden called it “a film of spellbinding visual beauty.” Now restoration of the film aims to bring more of that beauty to the forefront. The Cohen Film Collection announced that it has completed a digital restoration of “Daughters of the Dust” and plans to release that version theatrically this fall.

The new documentary film Solitary goes inside a supermax prison to discover what it’s like being in solitary confinement—a practice experts now describe as unnecessary and prisoners say is torture.

The new Mapplethorpe film begins with the voice of Senator Jesse Helms exhorting everyone to, "Look at the pictures!" He was protesting an exhibit of Mapplethorpe's work that he viewed as pornographic, and we see the conservative politician waving what he viewed as smut, seeking to inflame the culture wars, despite the fact that Mapplethorpe had died just a few months prior at the age of 42 of AIDS. That protest turned out to solidify the artist's legend.

Udi Aloni's Junction 48 is a melodic drama set Isreal in the town of Lydd (Lod) with a nearly all-Palestinian cast that forcefully confronts anti-Arab racism in Israel by shining a light on the oft-forgotten Palestinian citizens of Israel (PCIs). (The title Junction 48 presumably refers to Lydd’s historic transit-point between Palestine and Egypt and the designation often applied to PCIs as “’48 Palestinians.”)