From Charleston to New York and Back Again: James Campbell’s Long Reach
The Post and Courier (Charleston, SC)
Meet Greensboro, North Carolina native Rhiannon Giddens; see and hear why she has taken the music world by storm. Hear her music, and that of the Carolina Chocolate Drops. See why she is stretching the borders of traditional folk music, blues, country and old-time music. Hear her tribute to the Charleston Nine.
In Ferguson, the rallying cry - This is what democracy looks like - which echoes W.E.B. DuBois and the older generation's critique of capitalist civilization and imperialist power. And you also had people chanting -We gon' be alright - which is from rap artist Kendrick Lamar, who is concerned with the black body, decrepit schools, indecent housing. This chant is in many ways emerging as a kind of anthem of the movement for the younger generation.
One can delude one's self into believing that race can be avoided; but at the most awkward moments, it rears its ugly head and tears movements apart. In fact, it is the #BlackLivesMatter movement that has elevated this question to a national discussion point. There is an important segment of the progressive movement who strongly believe that economic injustice and a narrowly defined version of class can and must serve as the unifying feature of a progressive movement.
White supremacy has dominated the politics of America resulting in the creation of racist laws and cultural practices designed to subjugate non-whites. The emblem of the confederacy, the stars and bars, in all its manifestations, has long been the most recognizable banner of this political ideology. It's the banner of racial intimidation and fear whose popularity experiences an uptick whenever black Americans appear to be making gains economically and politically.
Spread the word