The film recounts the 1819 bloody massacre that left 15 peaceful working-class voting-rights demonstrators dead and hundreds more injured (coined "Peterloo" by journalists who reported the atrocity in contemporary papers as a play on Waterloo.
In post-industrial Ohio, a Chinese billionaire opens a factory in an abandoned General Motors plant, hiring two thousand Americans. Early days of hope and optimism give way to setbacks as high-tech China clashes with working-class Americans.
Carlo Levi’s memoir, “Christ Stopped at Eboli,” was a literary sensation in post-Fascist Italy. Three decades later Francesco Rosi's film enshrined the book's neorealist credo--giving voice to the voiceless.
In his latest film the comedian turned director continues to reinvent how the genre uses fear to comment on humanity’s evil. Us is a movie about marginalization, about those “Americans” rising up from the underclasses and dispossessing the masters.
Sebastián Lelio’s update of his 2013 film, Gloria, doesn’t change much from the original, but Julianne Moore’s pitch-perfect work is reason enough to watch.
What’s unique about Native Son is that it takes such an old story and, with very little tweaking, sets it now. That very act points to how, when it comes to race in America, little we’ve evolved over the last 80 years.
The real 'Green Book' made Jim Crow-Era Travel safer. The documentary, which aired February 25 on the Smithsonian channel, positions Green’s ambitious project as a necessary response to white-supremacist violence—and as a community-building tool.
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