Kafka's life was itself Kafkaesque, and if you want to know its span and its ending better- the book's author contends and the reviewer agrees - readers need to start at the beginning. The book under review is the third of a three-volume biography that critics widely call definitive.
Returning to two of socialist Jack London's classics, The Iron Heel and The People of the Abyss--both available free at Project Gutenberg--the reviewer finds stark similarities between the deprivation of the early 20th century and the modern world of neoliberal capitalism, with its gig economy and the emergence of a precariat, valorizing London's injunction that class supremacy can rest only on class degradation.
Inspired by the rhythms of American folk music, this moving account of Seeger’s life teaches kids of every generation that no cause is too small and no obstacle too large if, together, you stand up and sing!
Fifteen years after she slammed the door, Nora returns to Torvald’s house as the Betty Friedan of 19th-century Norway. As created by Laurie Metcalf from the script by Lucas Hnath, she is smart, witty, sarcastic, tough and likely to make women cheer. I did!
Here is an extraordinary anthology by contemporary working class poets.
For the author of the work under review--much heralded by the reviewer--Czech novelist Franz Kafka was no chronic pessimist or dour, fatalistic misbeliever in human emancipation, but a consistent partisan artist siding with the humiliated.
Writer, poet, college teacher, political activist, peace agitator and feminist,Grace Paley was a well-known and highly respected commodity to those of us active in left protest during the 1960 and much later. This new collection of her writings should remind us of what we justifiably admired most, not just her talent as a writer but her commitment to the struggle and the long haul.
Much Orwell criticism centers on his politics, not surprising given how it was his predominant subject. The books under review take a slight detour, viewing his work as he frequently judged others. Orwell's writing is chockablock with sensuous material, such as how class discriminations determine not just life chances but personal hygiene, or how bathos in an otherwise serious tract humanizes the literature and guards against "perfect" politics.
Voldemort is ultimately defeated not by Harry alone, but by the collaboration between the characters who oppose him.
At first glance, modern art and contemporary imperialism make strange bedfellows. The book under review both charts the history of the CIA's work in promoting US corporate interests through its manipulation of culture--what was then called cultural diplomacy-- while also working to define modernism. The reviewer congratulates the author on his first task, but criticizes him on the second.
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