Portside

Here is an extraordinary anthology by contemporary working class poets.

For the author of the work under review--much heralded by the reviewer--Czech novelist Franz Kafka was no chronic pessimist or dour, fatalistic misbeliever in human emancipation, but a consistent partisan artist siding with the humiliated.

Writer, poet, college teacher, political activist, peace agitator and feminist,Grace Paley was a well-known and highly respected commodity to those of us active in left protest during the 1960 and much later. This new collection of her writings should remind us of what we justifiably admired most, not just her talent as a writer but her commitment to the struggle and the long haul.

Much Orwell criticism centers on his politics, not surprising given how it was his predominant subject. The books under review take a slight detour, viewing his work as he frequently judged others. Orwell's writing is chockablock with sensuous material, such as how class discriminations determine not just life chances but personal hygiene, or how bathos in an otherwise serious tract humanizes the literature and guards against "perfect" politics.

At first glance, modern art and contemporary imperialism make strange bedfellows. The book under review both charts the history of the CIA's work in promoting US corporate interests through its manipulation of culture--what was then called cultural diplomacy-- while also working to define modernism. The reviewer congratulates the author on his first task, but criticizes him on the second.

John Rees, author of The Leveller Revolution: Radical Political Organization in England 1640-1650, (Verso, 2016; reviewed in Portside Culture, November 30, 2016) weighs in with his recommendations about some of the best fiction in English dealing with radical movements and the revolutionary experience.