“Freaky” offers liberating and honest portraits of young women and queer people, free from tokenism and broad generalizations to which the genre can often resort.
Here is a book on union organizing that seems about to become a classic for our times.
Walter Mosley's incredible speech from last month's National Book Awards, receiving The Medal for Distinguished Contribution to American Letters - the first African American man to receive this award.
John Carpenter’s movies provide visions of societies falling apart. No wonder his work is resonating now more than ever.
The research project, “Reuniting the Three Sisters,” explores what it means to be a responsible caretaker of the land from the perspective of peoples who have been balancing agricultural production with sustainability for hundreds of years.
Reviewers have couched their discussion of The Good Lord Bird by pointing out its portrayal of history against the backdrop of ongoing protests about persistent racism.
The danger of a fascist-like regime consolidating its power has been averted. For now. But make no mistake: The issue of whether we will move forward or be dragged into an abyss has been postponed, not decided. Please help - Portside's annual appeal.
Rebecca VanDiver surveys Jones’s work from the 1920 to the ’90s and considers how definitions and conceptions around Black art have changed.
On the feisty congresswoman’s posthumous return to the spotlight. Abzug’s encounters with sexism pushed her toward feminism, and so did the support she received from female constituents and supporters after she was elected.
Ron Howard’s Netflix adaptation of Hillbilly Elegy continues a long tradition of seeing hillbillies as a symbol of pristine American whiteness. It’s the same nostalgia Trump has mobilized on the far right.
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