The New Yorker
Black Myself: Rhiannon Giddens Forms Supergroup ‘Our Native Daughters’ and Reclaims the Soul of Country Music
The Village Voice
In the 1970s a group of African American experimental jazz improvisors organized musician-sponsored concerts in a network of lower Manhattan lofts. The music they produced was not only sonically adventurous, much of it was also driven by a host of social concerns. Michael Heller has published a new history of this movement. Michael J. Agovino helps guide us through this important cultural moment.
New York Review of Books
Even in the era of the Beatles and Motown's roster of stars, the brilliant James Brown established a place that was his alone. His was not about magic, it was about power that could not be denied by anyone brought within its field of influence. What the book's author also finds is a wary solitariness that paradoxically found its fullest expression in Brown's ability to give himself so completely in performance to suggest a generosity approaching self-immolation.
This new memoir by pop culture and music critic Rashod Ollison is about growing up with rhythm and blues, and, writes reviewer Reginald Harris, "about the role of music in the lives of everyday music lovers, as both a consolation and a vision of a possible different future." Ollison writes about coming of age, coming to terms with his sexuality, and about what his early twin loves, literature and music, taught him.
Hustlers Convention is the 1973 album that changed the world. Help tell the greatest music story never told.
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