Portside

There is an inherent paradox in the creation of a TV series set in a future that is intended to be better than the world of today, that the production and creative direction of said show is still ruled by the cultural restrictions of its own time.

"The Undoing" goes to great lengths to get us to empathize with the travails, the struggles, the sadness, the moral failings and even the sheer tediousness of wealthy white people.

To see one of the few dark-skinned fat queer women on HBO's Lovecraft Country killed off by their white racist lover was just so deeply upsetting.

The story is told through the eyes of a young, educated teenage slave (Joshua Caleb Johnson) who dresses like a girl at Brown’s request (for his own protection, supposedly) and is given the nickname “Onion.”

Showrunner Eric Kripke is responsible for helping mold The Boys into the surprising feminist showcase it has become.

Ethan Hawke's ferocious portrayal of abolitionist John Brown is the roaring engine of Showtime's rousing James McBride adaptation.

Toward the end of Netflix’s new documentary-drama The Social Dilemma, former Google employee Tristan Harris describes technology as “simultaneous utopia and dystopia.” This quote encapsulates the focus of the film.

Amazon's The Boys' Stormfront is a frightening picture of modern fascism.

Ellen DeGeneres’s reputation as the kindest celebrity in America has finally been shattered. But it’s not just her “mean streak” that’s the problem — it’s that she’s an exploitative boss, who cheated her employees at the height of the pandemic.

After HBO's I May Destroy You, some of us were empowered. Some confronted the people who violated their trust. Some started therapy.