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As the creator of a program that has become a vital example both of the transgender rights movement’s growing steam and of streaming television’s revolutionary power, “Transparent” creator, writer, and director Jill Soloway has become something of a lightning rod, too. As beloved as “Transparent” is, the show has also received criticism for the casting of a cisgender man (Jeffrey Tambor) as a transgender woman.

The best show on TV right now is about working-class African-Americans in the Southern suburbs, and it highlights one of the country’s biggest, least-appreciated problems: living without a car in the midst of sprawl. The show demonstrates the suburbanization of poverty, including how hard it is for people in low-income neighborhoods to get to their jobs.

The pilot of Good Girls Revolt does a good job of setting the scene for why the women decide to sue in the first place, even if the gender discrimination lawsuit that inspired the series isn’t even mentioned as a possibility until episode two.

The jokes in the HBO comedy may not be all that funny, but the show reveals something raw and authentic about public-school dynamics.

At a time when representation on screen matters most, Her Story offers an authentic look at the trans experience.

The star of the new Netflix series was reimagined as a modern black champion. The show's creative team looked to current events to ground Cage in reality from a specifically African American perspective. They wanted the show to fulfill “comic-book geek sensibilities” while also digging into subjects such as police brutality, the gentrification of Harlem (where the show takes place), and even the privatization of prisons.

The candidate’s appearance on Zach Galifianakis’s satirical chat show was the funniest of her career.

In the New York Times, critic James Poniewozik wrote, “Representing more people in more ways is the right thing to do, and it has made TV better. But it happened largely because there was money in it.”

FX’s new comedy Better Things, created by and starring Louie’s Pamela Adlon, is an acerbic look at the life of a working actress raising three children.

"I wanted to show White people, you don't know everything about Black culture," Glover told Vulture.