Police foundations across the country are partnering with corporations to raise money to supplement police budgets by funding programs and purchasing tech and weaponry for law enforcement with little public oversight.
Trevor Noah on George Floyd, Minneapolis Protests, Ahmaud Arbery & Amy Cooper. The Gospel According to Don. LL Cool J Raps About George Floyd and Black Lives Matter. Trey Songz - How Many Times. Killer Mike Makes Emotional Speech.
In this time of heightening crisis, we must be brave enough to use our full imaginations — and listen to those who have been dreaming of and fighting for just cities and communities for years.
Atlanta was the first US city to build public housing – and the first to knock it all down. Now, with rampant property speculation in black working-class areas, longtime residents are being priced out
Packing in as much raw emotion and as many twists and turns as a feature-length thriller, “Teddy Perkins” is a gothic funhouse of an Atlanta episode, filled with warped mirrors reflecting different aspects of American and African-American experience.
Atlanta doesn't run on its ability to make you tune in to see what happens. It's a show about hustle; if it ever really stops being about hustle, that's likely to be just another vignette about a sudden windfall. For now, it runs on its ability to place you in a particular moment and depict the feeling of it with great precision in whatever way works best.
Azadeh Shahshahani, Adelina Nicholls and Mary Hooks
Truthout Speakout
On January 20, our organizations -- Project South, GLAHR and SONG -- joined more than 25 other Georgia-based groups for an action we called the People's Inauguration. Together, we demanded that the City of Atlanta declare itself a sanctuary city by addressing a list of demands to protect the human rights of our communities.
The best show on TV right now is about working-class African-Americans in the Southern suburbs, and it highlights one of the country’s biggest, least-appreciated problems: living without a car in the midst of sprawl. The show demonstrates the suburbanization of poverty, including how hard it is for people in low-income neighborhoods to get to their jobs.
In the New York Times, critic James Poniewozik wrote, “Representing more people in more ways is the right thing to do, and it has made TV better. But it happened largely because there was money in it.”
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