Worsening economic inequality in recent years is largely the result of policy choices that reflect the political influence and lobbying power of the rich. There is now a self-reinforcing pattern of high profits, low investment, and rising inequality
The Last Black Man In San Francisco doesn’t follow an established playbook. It tries to write a new one, earnestly to life as it’s lived and dreamed.
I personally find characterizations of Reed as a class-reductionist to be quite confusing. Far from trying to bolster an economistic, class-reduction understanding of the world, Reed has gone out of his way to do the opposite.
Balentine is one of two Black workers who filed racial discrimination charges against Walmart this week, alleging that the company’s background check policies had a disparate impact on African Americans in the Elwood facility.
Carrying on from Raymond Williams' Keywords, the classic study of capital's appropriation of words for its own ends, the book under review looks at contemporary linguistic usage that serves and reinforces dominant class interests.
A taut, twisty new series from Amazon and the BBC touches on race, class, immigration and terrorism.
A vintage holiday treat from the UK's Black Dwarf, Christmas 1969*, where the author analyzes the dialectic of Christmas in which the desire for happiness is marshaled into a tool of subjection (and alcoholic oblivion).
Hamilton’s Daveed Diggs teamed up with lifelong friend Rafael Casal for a rhythmic, funny, earnest take on their native Oakland.
Through the characters, The Purge explores the issues of the day, whether it’s race or class or the reality of a really small percentage of people getting all the power.
Representation alone isn’t enough to make a show political. You have to do something with it. Claws finds a way to tie its characters to a broader political narrative in almost every episode.
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