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Terry Eagleton: Still the most Formidable Critic of Populist Late-Capitalism

Melanie McDonagh New Statesman
Both analytical and droll, Terry Eagleton's Culture explores how culture evolved from rarified sphere to humble practices, and from a bulwark against industrialism's encroaches to present-day capitalism's most profitable export. Eagleton both illuminates culture's collusion with colonialism, nationalism, the decline of religion, the rise of and rule over the "uncultured" masses, as well a means for cultivating social life and social change.

Classical Music Steps In for BlackLivesMatter - Classical Notes Add to Voices of Protest

William Robin; Priscilla Fran New York Times
On July 13, 2015, Sandra Bland died while in police custody in Texas. On July 13, 2016, the one-year anniversary of her tragic death, The Dream Unfinished held a concert to commemorate her and the large number of Black women impacted by police killings. Whether Black women and girls are killed by police directly; their loved ones are killed by police; or police refuse to intervene or respond - Black women, girls, and femmes are affected by police brutality and killings

"The Crucible" a Stunning Parable of McCarthyism's Attack on America

Lucy Komisar The Komisar Scoop
A crucible is a pot in which metals or other substances are heated to a very high temperature or melted. Miller's story is about events that took place in Salem, Massachusetts in 1692. But it's really about the House Un-American Activities Committee (HUAC), America's thought police of the early 50s, which burned through American rights and professed values. It's the best play of the season.(Closes July 17, 2016)

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The Story of the Book That Explained the World

Donald Liebenson Chicago Tribune
The Encyclopedia Britannica has gone through many editions, but the 1910-1911 scholars edition is nonpareil. Dennis Boyles' book says why, and enumerates what is lost when readers gain accessibility and cost-savings from easy access to Wikipedia and other venues but lose in depth and authority.

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Edith Piaf: Like Cold Oysters

Bee Wilson London Review of Books
In David Looseley's take on the iconic French chanteuse Edith Piaf, her notoriously elusive life story is rendered as cultural history, drawing out what Piaf meant - and still means - to France and to her wider audience. Looseley notes that her musical persona was highly and brilliantly constructed. She projected a stage mask of suffering that was all the more affecting because the audience saw there was deprivation behind it. With Piaf, you underwent her.

Black Culture and History Matter

Kirsten Mullen The American Prospect
It took 150 years after America officially abolished slavery to get a national museum on the black experience.

Waging Life in a War Zone

Jen Marlowe Yes! Magazine
From Gaza's colorful neighborhood to its underground theater, resistance is an art. More than anyone else, artists must have hope and must create hope for the people. The aim of art is to deliver a message about societal improvement and evaluation. Music provides an escape from the pain of war, the injustice of occupation, and the isolation from living under the siege imposed by Israel, after Hamas wrested control of the coastal enclave. It's also how they fight back.

Tidbits - January 7, 2016 - New Threat to Voting Rights; Tonya Pinkins the Real Mother Courage; Tamir Rice, Sandra Bland and Oregon Thugs; Left Gains Ground, Can It Hold; Trump and Fascism; Reality Check, Socialism in the GDR; and much more...(long)

Portside
Reader Comments: New Threat to Voting Rights before Supreme Court; The Portrayal of African Americans on Stage and Screen - Tonya Pinkins the Real Mother Courage; Tamir Rice, Sandra Bland and Oregon Thugs; Left Gains Ground, Can It Hold; Trump and Fascism; Readers Respond to poem about Berlin Wall - The GDR, A Different Perspective; The Real Northern Student Movement; Shostakovich; Vivian Stromberg Presente.(Sorry for length, three weeks since Tidbits last appeared)

books

Joe Hill Again!

Paul Buhle Portside
The centennial celebration of Joe Hill's execution is being marked by concerts, symposiums, meetings and forums, and the publication of new books, or new editions. Labor historian Paul Buhle reviews two of these. Franklin Rosemont's Joe Hill: The IWW & the Making of a Revolutionary Workingclass Counterculture, with a new introduction by David Roediger; and Philip S. Foner's The Letters of Joe Hill, with new material by Alexis Buss and foreword by Tom Morello.
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