Portside

Did East Germany fall because it was totally foul? Was it given an outside push or two? And did that downfall represent simply the glorious revolution of a folk yearning for freedom - or is the matter more complicated? This is still very relevant, for many similar uprisings have since occurred - and are still occurring.

In Spain this past May, the elections to the European Parliament produced a shock. A two-month-old party led by a 35-year-old, pony-tailed political scientist appeared out of nowhere—but clearly from the Left—to win 8 percent of the votes and five seats, transforming the infant organization into the country’s 4th largest political force. One of the party's founders, political scientist Juan Carlos Monedero, spoke with us in late August.

Unemployment is growing throughout Europe. Sad to tell, rather than blame this on an economic model that puts profits before people, too many of Europe's "white" working class curse immigrants, people of color and others who are "different".

Unemployment is growing throughout Europe. Sad to tell, rather than blame this on an economic model that puts profits before people, too many of Europe's "white" working class curse immigrants, people of color and others who are "different".

Yesterday Portside ran Timothy Snyder's "The Battle in Ukraine Means Everything." Many readers responded (see today's Tidbits post). Anatol Lieven in the New York Review of Books and Roger Annis in an original Op-Ed for Truthout here present very different views.

Throughout the centuries, the history of Ukraine has revealed the turning points in the history of Europe. This seems still to be true today. Of course, which way things will turn still depends, at least for a little while, on the Europeans.

Most people know Charlie Chaplin, whose 125th birthday was April 16, as a giant figure in the history of film. Chaplin's films were as funny as they were deeply revelatory of the human condition. His raucous cinematic assault on fascism, discussed here, helps enrich our understanding about what made this clown one of our most sublime and important artists.

With The Grand Budapest Hotel, Wes Anderson has reached the dizzying point of fantasizing about feeling nostalgic for nostalgia itself.

Exposing troubling ties in the U.S. to overt Nazi and fascist protesters in Ukraine. White supremacist banners and Confederate flags were draped inside Kiev's occupied City Hall, and demonstrators have hoisted Nazi SS and white power symbols over a toppled memorial to V.I. Lenin. Sieg heil salutes and the Nazi Wolfsangel symbol have become an increasingly common site in Maidan Square, and neo-Nazi forces have established "autonomous zones" in and around Kiev.

Svoboda’s success over the past few years and the presence of neo-fascist groups such as Pravy Sektor in Independence Square are signs of a crisis in Ukrainian society.