First Man is a paean to American greatness. It does include a montage of protesters demanding that the money on NASA be spent to help the poor and hungry, set to Gil Scott-Heron’s “Whitey on the Moon”. That might have been a good title for the film.
Confronting Steve Bannon in a cold, empty room for the duration of an unsettling portrait, Morris presses the alt-right icon to justify the racist ideology behind the machinations that propelled Donald Trump to the White House.
Farenheit 11/9's strongest sections cede the floor to the progressive activists and insurgent political figures whom he paints as the country’s best, and perhaps last, hope for salvation.
O’Dell was a close, crucial adviser to Dr. King. The axe nevertheless fell with demands on King to drop this trusted adviser. Speaking softly, O'Dell minces no words about the role of anti-communism then, how much it cost him and the Black movement.
BlacKkKlansman is a furious, funny, blunt and brilliant confrontation with the truth. It’s an alarm clock ringing in the midst of a historical nightmare, and also a symphony, the rare piece of political popular art that works in all three dimensions.
For Asian and Asian-American viewers, "Crazy Rich Asians" which opens on Aug. 15, is important not just as something of a cinematic Halley’s comet — before “Joy Luck Club” in 1993, there was “Flower Drum Song” in 1961, and now what?
What does it mean to be a socialist in America? 'Prairie Trilogy' is a documentary series (made between 1977 and 1980) chronicling how North Dakota workers and farmers organized to take power back from corporate interests in the East in 1916.
Sorry to Bother You’s focus on the necessity of workers to realize that they’re stronger and better off as a cohesive unit with the strength of a union behind them is astonishing and refreshing.
Boots Riley—Oakland activist, musician, and now film-maker extraordinaire—has made labor organizing in an almost entirely non-union industry seem doable and definitely worth the bother.
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