Sam Altman Is Shilling for OpenAI. The DOJ's Epstein File Stunt. Europe's Great Power Move: Ukraine Funding. Cover-Up | Laura Poitras Investigates Seymour Hersh. Geothermal Energy’s Massive Leap Forward.
Cover-Up is a political thriller that traces the explosive career of Pulitzer Prize-winning investigative reporter Seymour Hersh, both portrait of a relentless journalist and an indictment of institutional violence.
The acclaimed filmmaker and investigative journalist on her twenty-year project, the “crisis” in investigative journalism, and how truth-telling can still change the world.
Psychedelic Assisted Therapy | John Oliver. What Ever Happened to Hazel Scott? Gloves Off: Buttigieg Calls Out Trump Record of Deregulation. All the Beauty and the Bloodshed | Documentary. The Completely Predictable Resurrection of John Hagee.
From Academy Award winner Laura Poitras, an epic story about renowned artist and activist Nan Goldin, including rare footage of her personal fight to hold the Sacker family accountable for the overdose crisis. Full review.
Laura Poitras' "All the beauty and the Bloodshed" is a powerful documentary about Nan Goldin’s life and work against the Sackler family and their role in the opioid epidemic. The film has been nominated for an Academy Award as Best Documentary.
Felony Disenfranchisement | John Oliver. The Black Eyed Peas | Big Love. Laura Poitras Movie | Risk. Vote 'Em Out. Michael Moore's "Fahrenheit 11/9".
Academy Award winner Laura Poitras (CitizenFour) takes viewers closer than they have ever been before to Julian Assange and those who surround him. Featuring massive leaks, headline-grabbing news, and the revolutionary impact of the internet on global politics. RISK compresses six years of filming into a portrait of power, principles, betrayal, and sacrifice when the stakes could not be any higher.
Risk is an incredibly gripping work, one made with an unprecedented level of access to Assange, but for all its intimacy, it still struggles to nail down its target. Instead, it’s more a story of Poitras herself, and the evolution of the movie she set out to make about Assange, who founded Wikileaks in 2006.
Art as politics in the powerful new exhibit at the Whitney Museum in New York by Laura Poitras. Museum director Adam Weinberg sets the show "in the tradition of socially and politically engaged artists - progressive artists such as Ben Shahn and Alice Neal." He said, "The aim of the projections is to provoke moral and ethical responses." Indeed, they do. Or they should.
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