Portside

How can you attempt to craft a political, artistically rich narrative that trades in the real-life experiences of black and brown women, while ignoring them and the ways sexism intersects with racism? The bodies and histories of black and brown women prove to be useful templates for shows like The Handmaid’s Tale, but our actual voices aren’t.

Master of None's second season tackles the intersection of queer identities and race, as well as the diversity of New York City, painting a fuller picture of the city than shows that have come before like Girls, or even Louie.

In the wrenching fifth episode of the series, Reggie gets into a fight with a white character who uses the N-word at a party, then winds up held at gunpoint by the campus police. As Richardson explained, the episode, which was directed by Moonlight’s Barry Jenkins, rejiggered the structure of the show and forced the writers to figure out a new way forward.

Henwick spoke how the series is looking to investigate the Asian stereotypes that spawned the character, rather than rely on them. When asked about concerns over the character’s Orientalist origins, Henwick recounted her own recent journey from actively avoiding Asian character roles to embracing them — so long as there’s something meaningful to say.

This year's Super Bowl between the Falcons and Patriots is viewed by many across football as a battle of cultures. On one end, some in the game see the Patriots as a conveyor belt of winning machinery, aligned with Donald Trump, but despised by a large swath of the American populace. On the other are the Falcons, a talented, less rigid team, supported by a city starving for a winner and viewed as the welcome alternative in this fight.