As if you needed more reasons to watch a show starring Oscar-winner Julie Andrews, her new Netflix children's show, Julie's Greenroom, features a character who identifies as gender neutral.
Henwick spoke how the series is looking to investigate the Asian stereotypes that spawned the character, rather than rely on them. When asked about concerns over the character’s Orientalist origins, Henwick recounted her own recent journey from actively avoiding Asian character roles to embracing them — so long as there’s something meaningful to say.
Taboo is about the return of the repressed, but also the suppressed, with the protagonist serving as a vessel for social commentary about the species-wide violence and corruption wrought by imperialism, racism, and capitalism.
The BBC show seems to have difficulty fitting female characters into its universe. But it isn’t Arthur Conan Doyle’s fault.
A good starting point would be to stop making the Nazis and Japanese imperialists the most compelling characters in the series.
Thanks to sustained, legitimate outrage from people on the Internet and a major ethical violation, there will be one fewer outlet for white supremacists to plead their case to the American people.
Whether or not you agree with Lady Gaga’s estimation that American women are “fighting for their lives” following Trump’s win, the timing of the Republican nominee’s victory and The Handmaid’s Tale‘s spring 2017 premiere seems well-timed.
“Good Girls Revolt” resisted the militant bra-burning feminist stereotype, instead depicting ambitious young women from a range of backgrounds — a black lawyer, a blond princess, a mousy aspiring novelist — each inspired to take action for unique reasons. It made feminism seem like an endeavor that was not only vital, but thrilling — and not just because of the newfound sexual freedom.
Why are we championing diversity and inclusivity when it comes to race and gender, but not class? Class, which we all know by now is just as much a defining factor in a person’s life as race or gender (if not moreso).
The pilot of Good Girls Revolt does a good job of setting the scene for why the women decide to sue in the first place, even if the gender discrimination lawsuit that inspired the series isn’t even mentioned as a possibility until episode two.
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