Watching “I Love Dick” is like attending an exhibition for which the artist has supplied her own curator’s notes. It’s an experience as much as a story: arresting, disorienting and provocative. It’s also very conscious of explaining to you how and why it arrests, disorients and provokes.
Here’s how the scene plays out. As the sharply dressed god paces back and forth in front of the believers who summoned him, he lays out a terrifying vision of what the future holds for them and their descendants: slavery, torture, death, and hundreds of years of being screwed over by structural racism.
The system that the Hulu series operates within shows there were laws to protect property, but not women and certainly not sex workers.
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As if you needed more reasons to watch a show starring Oscar-winner Julie Andrews, her new Netflix children's show, Julie's Greenroom, features a character who identifies as gender neutral.
Henwick spoke how the series is looking to investigate the Asian stereotypes that spawned the character, rather than rely on them. When asked about concerns over the character’s Orientalist origins, Henwick recounted her own recent journey from actively avoiding Asian character roles to embracing them — so long as there’s something meaningful to say.
Taboo is about the return of the repressed, but also the suppressed, with the protagonist serving as a vessel for social commentary about the species-wide violence and corruption wrought by imperialism, racism, and capitalism.
The BBC show seems to have difficulty fitting female characters into its universe. But it isn’t Arthur Conan Doyle’s fault.
A good starting point would be to stop making the Nazis and Japanese imperialists the most compelling characters in the series.
Thanks to sustained, legitimate outrage from people on the Internet and a major ethical violation, there will be one fewer outlet for white supremacists to plead their case to the American people.
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