A new adaptation of "20,000 Leagues" features a Nemo who is far more conflicted, outraged and complex than in other portrayals. Ideas of justice, responsibility and morality are raised frequently, along with social roles one may be required to play.
London’s Theatre Royal in the mid-1800s. Edmund Kean, the greatest Shakespearean actor of his age, collapses on stage while performing the lead in Othello. He is replaced by a young, black actor, Ira Aldridge—a first for the role on London’s West End. As a bill in Parliament promoting the abolition of slavery sends shock waves through the streets, how will London react to his performance?
But "Angels" is also about everything, and thus its ire and angst are sprayed across two plays and seven and a half hours like bullets from an automatic rifle.
Fifteen years after she slammed the door, Nora returns to Torvald’s house as the Betty Friedan of 19th-century Norway. As created by Laurie Metcalf from the script by Lucas Hnath, she is smart, witty, sarcastic, tough and likely to make women cheer. I did!
Three women, all clearly desperate for jobs, arrive for "orientation" at the work room of a meat processing plant. They have been sent by an employment agency as "temporary workers" - a euphemism for low wages, no benefits, short-term contracts with uncertain payroll dates and the most appalling work conditions. So begins Alexander Zeldin's remarkable "immersive" soul-stripping production of "Beyond Caring."
You might never see a more powerful, stunning production of Eugene O'Neill's "The Hairy Ape" than this one directed by Richard Jones and starring Bobby Cannavale at the Park Avenue Armory. This is a play about class, and class consciousness.
A crucible is a pot in which metals or other substances are heated to a very high temperature or melted. Miller's story is about events that took place in Salem, Massachusetts in 1692. But it's really about the House Un-American Activities Committee (HUAC), America's thought police of the early 50s, which burned through American rights and professed values. It's the best play of the season.(Closes July 17, 2016)
“Songbook” frames its story through the memory of Lucy Parsons, the daughter of a slave who later becomes the widow of “anarchist martyr” Albert Parsons, a white man who had served in the Confederate Army, but then found his calling as a charismatic labor leader. There are unquestionably distant echoes of terrorist activity in our own time in this show, along with enduring issues of income inequality, police brutality, and a compromised judiciary and media.
In launching a cycle of plays grounded in English history, Shakespeare was able to show his audiences the blood-soaked story of their own becoming, the history of their creation as a nation. (From an American vantage, it would be as though a present-day playwright were to track our history from Jamestown to World War II, focusing most intently on the span stretching from the Revolutionary through the Civil Wars.
In the American Black community, during the years leading up to the Harlem Renaissance, there was a sense of building artistic expression. Outlets and avenues for its poets, musicians, novelists, artists, and actors were few. But in 1918, as the first great World War concluded and thousands of African-American soldiers returned home victorious, this mountain of artistic expression was now ready to explode.
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