Portside

In launching a cycle of plays grounded in English history, Shakespeare was able to show his audiences the blood-soaked story of their own becoming, the history of their creation as a nation. (From an American vantage, it would be as though a present-day playwright were to track our history from Jamestown to World War II, focusing most intently on the span stretching from the Revolutionary through the Civil Wars.

In the American Black community, during the years leading up to the Harlem Renaissance, there was a sense of building artistic expression. Outlets and avenues for its poets, musicians, novelists, artists, and actors were few. But in 1918, as the first great World War concluded and thousands of African-American soldiers returned home victorious, this mountain of artistic expression was now ready to explode.

True story about BAE Systems, the UK's largest aerospace and weapons company. BAE is the major bad guy in the play, as well as a major bad guy among arms traders. (In 2010, BAE pled guilty in the U.S. to charges of false accounting and making misleading statements in connection with an arms sale to Saudi Arabia. The issue was bribery to get a Saudi contract. British Prime Minister Tony Blair quashed an investigation there, as he wanted the contract.)

The Central Park Five - five young African American men were arrested, charged and convicted.- wrongly. News headlines blasted from the press captured the nation's attention. Last June, under Mayor Bill de Blasio, New York City agreed to pay the Central Park Five a $41-million settlement - giving the men about $1 million for each year of wrongful imprisonment. "The Bullpen," is a play related to similar experiences in the NYC incarceration system.

Culture Clash's play about money, manipulation and red-baiting ending with destruction of a closely-knit LA Latino neighborhood over fifty years ago rings true today as the present economic power of developers and the drive to profitably exploit vulnerable communities within the central city and drastically change their ethnic, class and cultural composition continues to steadily displace the long-time residents of many neighborhoods.

1948, the tenth birthday of Café Society, where great jazz and cabaret in a corner of Greenwich Village clashed with the worst know-nothings of the McCarthy era. But we're over that now, so come to this musical memoir to enjoy the delicious sounds of the 30s and 40s. And recall how evil the thought police of that era were...the vicious House Un-American Activities Committee (the ironically well-named HUAC) goes after the entertainers. Some get scared.(Closes Jan. 4)

Reader Comments-Colbert Nation; Is It Band Enough Yet; Southern Jim Crow Murder; Cuba; How America's Relationship With Cuba Will Change; We express our condolences - Millions March NYC and Center for Constitutional Rights; Angela Davis on police violence; Youth Shall Lead in struggle against police violence; Political Athletes; "Negro-Jewish Unity" and IWO; torture; FBI; Panama invasion; New resources: On Torture; Staughton Lynd book; Stevie Wonder; theater review

As “now it can be told” theater, TimeLine’s Chicago premiere, the second coming of this angry work, works equally well as an exercise in conspiracy-theory paranoia, journalistic sleuthing at its most dangerous, and a cumulative plea for transparency in foreign policy, banking, and law enforcement (Edward Snowden anyone?).

Why Marxist playwright Berthold Brecht is theater’s hottest old name