Portside

The Afterparty is just one of several new comedies about stressed-out millennials finding themselves trapped in a murder mystery. So what is it about this generation that makes them all want to star in an Agatha Christie story?

Season 4 part 1 of the Netflix series "Ozark" is a microcosm for the bigger message of struggle between classes under capitalism

In the docuseries We Need to Talk About Cosby, the comic and TV host examines how a once-loved comedy star fell from grace, and the system that supported him

The HBO series has caught flack for glamorising sex and violence, but the show also offers a Kool-Aid of teenage nostalgia that shouldn't be swallowed too willingly

The Kevin Costner-led drama "Yellowstone" is the most popular show on cable but has been mostly ignored by critics

Though the ABC limited series is gripping, it drifts too often from Mamie Till-Mobley's point of view

While many iterations of the friendship sitcom exist, a Black woman invented the genre as we know it today, and a Black woman perfected it in Insecure

At its best, the original Sex and the City took the romantic lives of its characters seriously while presenting them hilariously. But its reboot, And Just Like That…, has sucked all the fun out of its stories.

Emily St. John Mandel’s beloved novel should be difficult to adapt for TV. The HBO Max version reinvents it.

Schitt’s Creek offered its audience a vision of capitalism free of prejudice and exploitation. The absurdity of this fantasy was both the source of the show’s limitations and its brilliance.