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Donald Trump’s highly touted and almost certainly inappropriate hosting gig on NBC’s “Saturday Night Live” turned out to be an anemic and halfhearted dud.

Steven Soderbergh's period medical drama, The Knick, which kicked off its second season on Oct. 16, has been praised for its vivid characterization, realism, historical accuracy, and visual style.

When “Supergirl” has its premiere on Oct. 26, it will enter a cultural landscape where female superheroes are better represented than ever before: where they have nearly as much opportunity to right wrongs and fight crime – and to play the central roles in their own stories — as their muscle-bound male counterparts.

“It’s an enormously popular show, and up until this current season it was taking place predominantly in the Middle East/Islamic world region, and depicting that region in a very particular way that reinforces this mythological stereotype that exists in a lot of the Western world.” - Heba Amin, associate professor at the American University in Cairo

Even as mainstream outlets start to pay more attention to Latino viewers and with new frontiers popping up on cable, things are changing as rapidly on television for the Hispanic audience as they are for everyone else. What seems to be a new constant, however, is that the focus on this market is certainly going to grow.

Scholarly interest in Joss Whedon’s cult classic points to the growing belief that TV shows deserve to be studied as literature.

'Show Me A Hero' serves as a reminder that some of the worst segregation in America persists above the Mason-Dixon line.

The comedian sneaked politics and policy—along with Captain America and Oreos—into his CBS debut.

AMC's "Humans" demonstrates exactly how complicated it is to outsource something as personal as domestic work and care.

Led by executive producer and director José Padilha (2014's RoboCop), the series tracks the rise and fall of "King of Cocaine" Pablo Escobar, and the bloody drug war between the American Drug Enforcement Administration (DEA) and Colombia’s notorious Medellín Cartel. A well-crafted blend of The Wire and Goodfellas, Narcos takes an unflinching look at one of the War on Drugs’ single most violent conflicts.