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Janice Miller Potter Chiron Review
New England poet Janice Miller Potter reminds us of the social costs of having a “president of lies,” a “president of shamelessness.”

What the Bronx ‘Bible Belt’ Election Results Tell Us

Ginia Bellafante New York Times
Will older, socially conservative voters care so much about culture-war issues in the midst of a pandemic? This Bronx election suggests political patterns might evolve more broadly among older voters in places like Florida and the Sun Belt.

The Story Behind the Lee Statue in Richmond, Virginia

Peter Rachleff The Progressive
Since the May 25 murder of George Floyd, the Robert E. Lee monument in Richmond, Virginia, erected in 1890, has been a focus of protests, graffiti, and public pressure calling for the removal of this offensive symbol of Confederate aspiration.

Tidbits - July 16, 2020 - Reader Comments: Protests Work, #BLM, Standing Rock, Teachers Respond to School Reopening; Pulling Down Statutes; Labor and Black Lives; NLRB Attack on Worker Protections; Pentagon Budget; BDS; Concert for Cuba this weekend; more

Portside
Reader Comments: Protests Work, #BlackLivesMatter, Standing Rock, Teachers Response to School Reopening; Pulling Down Statutes; Labor and Black Lives; NLRB Attack on Worker Protections; Cut Pentagon Budget; BDS; Concert for Cuba this weekend; more..

The Southern Key: Class, Race, & Radicalism in the 1930s & 1940s

Janet Wells Greene New York Labor History Association
The Southern Key argues that much of what is important in politics and society today was largely shaped by the successes and failures of the labor movements of the 30s and 40s, notably the failures of southern labor organizing during this period.

Union Drive Could Inspire Organized Labor Beyond Asheville

Brian Grodon CarolinaCoastOnline
On March 6, 1,600 registered nurses petitioned the NLRB to form a union, kickstarting one of the largest union campaigns in the country today. North Carolina is the second-least unionized state in the U.S.

Why the Chicks Dropped Their "Dixie"

Amanda Petrusich The New Yorker
The all-female country band, formerly "The Dixie Chicks," which survived an instance of proto-cancel culture for its politics in the past, again wants to meet the current moment.